A View to a Kill
- July 13th, 2011
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She liked me. I could feel that. The way you feel when the cards are falling right for you, with a nice little pile of blue and yellow chips in the middle of the table. Only what I didn’t know then was that I wasn’t playing her. She was playing me, with a deck of marked cards and the stakes weren’t any blue and yellow chips. They were dynamite…
Not everyone loves classic old movies, and of those that do, not everyone gets excited about film noir, or even knows what it is.
But there’s no denying there are a lot of die-hard fans out there and I along with a my newest make-up artist become model become friend..happen to be just that.
We met months ago while working together at which time we discovered our shared passion for film-noir motion pictures, the lighting, cinematography and like so many others, we were inexplicably drawn to the psychologically dark world of film noir.
It was during those times of working together that we collaborated and shared ideas to finally setting up our very own film-noir series shoot. These are the results, hope you enjoy them.
Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. Hollywood’s classic film noir period is generally regarded as stretching from the early 1940s to the late 1950s. Film noir of this era is associated with a low-key black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Depression.
The term film noir, French for “black film”, first applied to Hollywood films by French critic Nino Frank in 1946, was unknown to most American film industry professionals of the classic era.
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